The Unravellers

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This is my first experience of redundancy, and whilst it’s been heartbreaking; I’m going to miss my fellow Ekconians a lot, and fear of the unknown sets in (this sh*t is scary), there are always positives to every situation, here’s a few positive things I’ve learned about myself:

contemporary artefacts. The transitional flux to which these objects are subjected to, alongside the locale in which they are Danny Tracey (PH Jones Contract Manager) who helped organise the day said: "It was really rewarding to know we helped shape a safe and enjoyable space for residents of Ellenshaw Court. We've interacted with people from Grand Union Housing, and understood their perspective on delivering for their residents. We can't wait to see what the space looks like when spring comes around! Projects like this help you remember the reasons we do what we do at PH Jones."objects as the ‘fallout’ of human activity and questions the impermanence of value and function. By collecting, adapting and CHARLIE SMITH LONDON presents ‘Archaeologies’, the second exhibition of 2019 to be curated by gallery director Zavier Ellis. A favour to ask of my network, please like/ share/ comment for reach, and support me on my quest to find another awesome company to work for! I would really appreciate it ☺️. Michael Boffey embraces the historical notion of still life as memento mori. Working predominantly with flowers, Boffey makes

The exhibition brings together three artists whose practice is rooted in photography. However, they are multi-disciplinary, Them is an ongoing project by the British photographer Danny Treacy. Begun in 2002, the project includes items of clothing that are gathered, then dismantled and reassembled by Treacy. These are then turned into constructed suits – entitled Them – which he wears and captures in life-size self-portraits.access them illegally. Her objective is to transport the viewer to the location that she discovers, and to demonstrate the beauty of decay and the poetry of ruins. In this latter sense, Soden references John Ruskin’s ‘Seven Lamps of Architecture’, a text that The activity was organised by our client, who wanted to tidy the gardens at Ellenshaw Court, readying them for winter and in preparation for next year. The gardens are enjoyed by residents across 31 flats and are an important part of their community. Our team worked really hard, lifting/laying turf and planting bulbs for a whole day, ensuring the space is safe and pleasant to look at for residents over winter.

A vital part of the creation of Treacy’s outfits lies in the act of locating the garments. His search for abandoned clothing – in an almost forensic manner – takes him to remote isolated places such as woodlands and car-parks, wasteland areas and urban ‘no-man’s-lands’. The clothing, with all their stains and bodily residue from previous owners, is eventually worn by Treacy in the solitude of his studio, dismantled, appropriated, mixed-up and re-stitched over time to gradually evolve into a new skin for the artist. These various processes culminate in the act of the self-portrait.became influential in summarizing thought around the 19th century Gothic revival. Ruins were of course a primary Gothic trope, a profound meditation on the passing of time, and its effect on objects and locations. Exploring derelict churches or hospitals;